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September 2018

“I am all of you listening”.
Jeanne Moreau, a life of theatre

1 September 2018 à 11h00 - 13 April 2019 à 18h00
Maison Jean VIlar, 8 Rue de Mons
Avignon,
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Full : 6 €
Reduced : 4€
(presentation of documentary)
under 26, more 65, entertainment workers, job-seekers, groups from 10 people
Free :
(presentation of documentary)
under 18, pass culture, patch culture, beneficiaries of the RSA, people in situation of handicap

What would theatre be without actors, without the risks they take every night, without their shamelessness and intelligence? The passion of the audience finds its source in the characters they play and, oddly, from the start of the Festival d'Avignon, in the beauty, striking look, and presence of Jeanne Moreau. I am all of you listening explores the career of a woman who lived the history of the Festival from 1947 to 2011, beside Jean Vilar or Étienne Daho, with the words of Henrich von Kleist or Alfred de Musset, and in roles as different as Nathalie or Célestine. Even in 2014,…

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Cabu, Freehand theatre. Sketches from a theatre lover

15 September - 21 December
Maison Jean VIlar, 8 Rue de Mons
Avignon,
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Cabu, who was known and recognised for his illustrations in Hara-kiri, Charlie Hebdo, or the Canard Enchaîné, also used his talents as an exceptional cartoonist to sketch the world of theatre. From the 60s onwards, Cabu went to the theatre several times per week. He was a passionate theatre-goer - private and publicly funded theatres alike -  but with a particular attachment to the Comédie-Française. Cabu first went to the Festival in 1970, when it was still directed by Jean Vilar. He was a regular visitor, as testified by his sketchbooks. Year after year, Cabu was there to cast his…

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Parcours de l’art (Experience of the art)

29 September à 11h00 - 20 October à 18h00
Maison Jean VIlar, 8 Rue de Mons
Avignon,
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Artist welcomed at the House Jean Vilar from tuesday to sathurday from 11h to 18h  from the 29th september tu the 21th octobor Charlotte Gunsett "Childhood is at the heart of Charlotte Gunsett's work. We could say a starting point. The clumsy gestures of childhood, the representations we make of them are digested and interpreted by this young artist through her sculptures. Her universe is elaborated by fragments of memories. She touches with her fingers these fleeting, perishable, ephemeral moments in order to give them a moment of eternity. The sand can both be solid and erect in architecture, as it…

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